Roll-Over Baffle
This baffle design gives the BURNIN’ mouthpiece power, projection and a degree of brightness for a sound that stands out when you want it to.
Deep Chamber
The deep chamber balances out the steep baffle giving the BURNIN’ mouthpiece a lush warmth and sonic depth. This combination creates a complex and beautiful tone.
Straight Side Walls
Free blowing and focused sound with lots of core.
Made in the USA
Manufactured in Savannah, Georgia by Jody Jazz.
Hand Finished
Expert hand finishing combined with state of the art CNC machining result in the highest quality and most consistent mouthpieces available anywhere.
Premium Hard Rubber
Genuine hard rubber for the look, feel and sound of great vintage mouthpieces.
Medium Facing Curve
Reed friendly and easy to play. Each of the available tip openings were meticulously designed and all play like champs!
Thin Tip and Side Rails
The precision and attention of detail to these elements are key to any great playing mouthpiece.
Matte Finish Exterior
Along with the finely sculpted and hand painted logo, the BURNIN’ mouthpiece comes in a beautiful matte finish.
Ligatures That Fit the Burnin’ Alto Mouthpiece
Standard ligatures for HR tenor, BetterSax Burnin’ and Session for HR Tenor, D’addario H ligature for HR tenor, Rovner & Rovner Versa X for HR tenor, Francois Louis for HR tenor, BG Duo for HR tenor, Silverstein for HR tenor, JodyJazz Power Ring HRT1, Boston Sax Shop Superlative ligature for HR tenor, Yanagisawa Sixs & Yany ligatures for HR tenor, Ishimori ligatures for HR tenor
* the Vandoren M|O hard rubber tenor ligature is not a great fit for the Burnin’ baritone mouthpiece due to its fitted saddle.




















Bill C. –
ay I just wanted to reach out and say THANK YOU!! I recently received the Burnin’ Sax Bari mpc. I play a 1960 Conn 12m Using a Silverstein Lig and a Fibracell #3 reed..WOW!! I can get a tonal range from Gerry Mulligan to Ronnie Cuber!! This piece is so amazing, I ordered one for Alto and Tenor. I tested my Burnin’ Sax Mpc on my 1927 Conn Alto, and was almost brought to tears. I have been searching for years to find a piece that works perfectly with my alto. The search is over!! Can’t wait to test the tenor piece tonight on my 1937 Conn 10m.
Scott D. –
This mouthpiece can played in a variety of situations, and sound really good. I bought the #8 0.120″ am very satisfied, Low A to well into the altissimo register, on my Yamaha YBS480.
A –
Did not take full advantage of the sound frequency spectrum of the instrument. Played easily with a solid tonal core.
Brawley –
This definitely improved my son’s quality of practicing. Allowed him to play more confidently. There is definitely an improvement in Sound Quality. Absolutely without a doubt worth the money. You will be Happy! 1st chair