Whatever stage you are at with your saxophone playing, it is often frustrating trying to get to the next level – especially when practicing.
Everyone goes through periods of feeling stuck.
Whether you’ve just picked up the saxophone recently or have been playing for a while, there are some solutions that I’d like to share with you that work for every saxophone player.
I’m going to give you a general overview of what you should be doing daily. This is basically what every serious saxophone player does more or less. The details can vary greatly from one player to the next. Whether it’s based on skill level or musical goals, but the overall process is the same for all of us.
The Big Picture
You need to know how to practice the saxophone (or golf, or kung fu, or painting) to get significantly better.
Tricks and secrets are useless if you aren’t practicing on a regular basis in a mindful, consistent and guided manner.
This approach to teaching may not get me as many views on YouTube as if I made videos about how to play some slick lick or another. But I’d rather share what I think is the truly more useful (if less popular and less immediately gratifying) information first.
How I Discovered The Process

I first learned how to practice when doing my bachelor’s degree in classical saxophone performance. I had been shown some very basic warm-up exercises before by some private teachers. But until that point, I had only worked on learning one piece of music at a time, and I just practiced that piece of music from beginning to end over and over, until it sounded somewhat acceptable to play in front of an audience.
This is an example of mindless, inconsistent and unguided practicing.
As you can imagine, the results from practicing in this way are slow to come, unreliable, and generally not very good.
At university, I was quickly informed that from now on I was expected to do a whole slew of warm-up exercises. All to improve my sound, build my embouchure strength, clean up my technique and finger movement, correct my lousy timing. Plus I had to fix several bad habits I had developed from my unguided practicing.
I did these exercises dutifully. Over time, I learned to “practice” in a way that actually helped me improve with each and every practice session.
I have since gone through periods where I had not practiced in this manner for long stretches of time, and my playing stagnated and ceased to improve. Some old bad habits crept back into my playing at different points in my career as a result of this neglect.
These days I’ve managed to keep a semi consistent practice schedule which means putting in at least an hour and a half most days and the days I don’t is usually because I’m busy with performances and rehearsals so I make sure to at least put the horn in my mouth every day.
I have also doubled down on practicing certain fundamentals that I have mostly ignored since my college days, and as a result have seen some very pleasing progress in these areas.
What I’m trying to say here is that practicing the right way works for everyone at every stage in their development.
What to Practice, Exactly…
We cover these three areas in this Sound section using the entire range of the saxophone:
- Long Tones (sound)
- Overtones (harmonics)
- Articulation (tonguing)
The Technique section is devoted to improving your hand position, efficiency of finger movement and grasp of crucial must know
scales. Over time, these exercises will help you play faster and with solid rhythm.
Exercises covered in the Technique section:
- Chromatic Trills
- 5-Note Chromatic Scale
- Major Scale to 9th (all Modes & Keys)
- 5-Note Major Scale (all Modes & Keys)
- Pentatonic Scale (all Modes & Keys)
Once again we cover the entire range of the instrument.
Several Lessons Worth of Material
In private lessons, I give all of my students these exercises over the course of several weeks. It is a lot of information to cover and demonstrating each exercise takes time. I also play the exercises together with my students. That way, they get the feel for them and hear how they are supposed to sound.
Share Your Thoughts – Please Comment Below
Thanks for reading this article. We’d love to hear from you if this information was helpful for your motivation and practice habits. Please leave a comment below and tell us about your experiences.
Interested in more practice tips? Check out “Are You Practicing the Right Stuff?”
21 thoughts on “It’s All About The Process (Of Practicing)”
Your core essentials has given me more structure to my practice and should serve me well for years to come. I also have been joining some friends on Thursday nights for jam sessions. They are all guitar players with one drummer so I’m a welcome member to the group even though my improve is rudimentary but it’s something that is needed to progress.
Thanks Jay!
Jay I just got the pentatonic foundation which I’m still working on great course by the way.Which course would be good to go with it or do next?I would like tips to work on long tone and overtones
Jim,
You will definitely want to get Core Essentials first in that case.
Jay
Having now played for two years self taught I look for anything that helps with focus. I found the Pentatonic foundation course about a year ago and have used a couple of patterns as a daily warm up ever since and actuallly will go back and complete more of the ear training in the next few days, as progression also comes from experience and in the early years it’s nice to return and see how one has improved. The Pentatonic course enabled me to start and enjoy improvisation, developing rhythm as I went, no other lesson had such an impact in this direction whatever I play now I look to the Pentatonic in that key as a starting block in fact I have the p scales on a laminate on my music stand at all times.
Now I feel that I need practice structure so I am looking forward to incorporating core essentials into my daily routine, I know where I want to be and know what’s missing so with Jay’s help once more, I can move forward, I subscribe to another on line School that helps building a repertoire and playing music, but Better Sax without doubt helps me become a better musician, so once again Jay thank you.
Mark,
Thanks for that. Great to hear how the Pentatonic Foundation helps students. Definitely a good idea to go back over the lessons weeks, months and even years later. As you improve, you will get more out of the same learning resources when you revisit them. Core Essentials will definitely help you improve measurably and steadily. Of course, you have to put the time in yourself. Keep up the good work.
Jay
I’m really enjoying my progress following your coaching. It’s been at least 30 years since I picked up a horn but now I have a passion to pick up where I left off 30 years ago. I feel it’s a good track of practicing your method
Daniel,
Great to hear. I’m glad my lessons are helping you.
Been working through the pentatonic exercises, making sure to go slowly. It’s quite amazing that after a week I feel my fingers moving quite a bit better than they were. For fun, I tried the E major pentatonic – even though I was mainly practicing in G I think it helped me pick up the E faster. Slowly works! Also really helped to focus on relaxing my fingers.
Hi Jay,
I was reading your blog post on “It’s All About The Process (Of Practicing)” and it spoke to me. At the end the Core Essentials Program was offered for $29. I was pretty excited to see this as I recently bought the Pentatonic Foundation Course which, oddly enough, has caused me to see how unfocused my practice sessions are. I’m really enjoying the Pentatonic Foundations and would love to get Core Essentials but, and here’s the problem, when I click the link for the $29 offer, it says the course is $58. I’m on a tight budget these days and have my eye on the Core Essentials course but if the $29 offer has expired and it’s now $58, I’m going to have to wait. Please inform. Thanks
Chase, that sale has ended, but I forgot to edit this post. I’ve sent you an email with a coupon code for the discount.
You’re a gentleman. I just purchased the course. Love your stuff.
Hi Jay still haven’t subscribed yet 70 years old played soprano,tenor,and baritone for 9years during early school and 1 year at college. Lets face it, it has been 50 years since I have touched a sax sold them all to buy downhill ski equipment. Now that I’m semi retired I want to start over on tenor sax what about saxquest’s tenor sax for $1595 have you heard anything
Bob, I haven’t tried them myself, but have heard good things. If that’s your budget, then I’m sure it will be a great horn to get back into playing.
Hi Jay, I have purchased and gone through the Pentatonic course and am now going back and using it in my practice. When I started this course I thought that it would be great if you offered a fingering chart etc. I then i saw the free mini courses in the members area and they covered everything from the chart, to putting the reed on correctly to gear. That was fantastic. Now that I have a little more knowledge .. thanks to you. I am needing a course like what you described in the core essentials. If that course goes on sale again please let me know and I will jump on it.
I also play the clarinet and I am finding that the sax and the clarinet in regards to the embouchure and what you do in your mouth are very different indeed. So you have taken another mystery out of my playing.
I am plodding along having a ball.
Thanks Jay.
Great to hear. thanks for the comment.
Hi, i took the pentatonic Fundamentals course..great stuff..started zu improvise with c pentatonic zwing the backing tracks..this is fun. Also practice Long tones and scales over the full range ( this tip was very usefull). I practice 1,5 – 2 hours every Day Brause i have so much Fun and want to have a great sound as soon as possible..playing since 1 year so i m on ny way ??
Greetings Jay,
Thank you for providing a useful set of tools to help me navigate my saxophone journey which began 6 weeks ago. My long term goal is to perform to make others happy. I am really drawn to jazz ballads and rhythm sax playing. I am practicing 1-2 hours every week day and 30 min -1hr on Sat/Sun. I started by learning by ear how to just get a good sound while starting to learning the fingering using online videos of great players I’ve discovered that really speak to me – (like Ben Webster). Yesterday I started learning the pentatonic patterns in 3 keys working towards all 12 eventually.
If I had to choose to start between your course on Core practice and The Full Play Sax by ear which would you recommend and why?
Thanks,
Jeff
Jeff, Glad you are finding the resources helpful. The Pentatonic Foundation Course is the best place for you to start. I designed that course specifically for people in the same place as you. It will get you started on the right track. Core Essentials is meant to help everyone take their sound and technique to the next levels. It can be studied at the same time.
I’ll be using your Core Essentials Program to help improve my sound, use of harmonics, and articulation. Thanks!
Jay, is it ok to get practice just only with your Core Essentials? Using a whole time for practice just in Core Essentials?
Thanks.
Fadil, It is okay to spend an entire practice session on the Core Essentials course in the beginning if you are trying to get comfortable with that material, but it’s not something that you would want to do for a long period of time. It’s important to vary the stuff you practice if you want to improve.