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QUESTIONS?
Please check the return policy from the dealer you purchase your mouthpiece from.
If you aren’t sure what tip opening you play, we recommend you order a 5 for alto, a 6* for tenor and a 6 for baritone. This will be the easiest to play and ideal for anyone stepping up to their first jazz mouthpiece. All available tip openings offer the same sound quality and consistency. Watch my video above if you want to learn more about tip openings.
This will depend on demand. Send us a message if you would like to request a larger tip opening.
The BURNIN’ mouthpiece makes for an excellent mouthpiece upgrade for anyone who has been playing the saxophone for a while and is looking to get a top quality mouthpiece that is perfectly suitable for advanced beginners up to professional players. We recommend most anyone stepping up to their first jazz mouthpiece select the 5 tip opening. Our best recommendation for a high quality yet low cost beginner mouthpiece is the BetterSax Classic.
Soprano
5* = .055
6* = .065
7* = .075
Alto
5 = .072
6 = .078
7 = .083
Tenor
6* = .095
7* = .105
8* = .115
Baritone
6 = .100
7 = .110
8 = .120
Soprano
Ligatures that fit standard Meyer, Vandoren, JodyJazz and equivalent hard rubber mouthpieces will fit the Burnin’.
Alto and Tenor
The BetterSax Burnin’ Ligature, ligatures that fit standard Meyer, Vandoren, JodyJazz and equivalent hard rubber mouthpieces will fit the Burnin’.
Baritone
The BetterSax Burnin’ Tenor Ligature, standard ligatures for HR tenor, , D’addario H ligature for HR tenor, Rovner & Rovner Versa X for HR tenor, Francois Louis for HR tenor, BG Duo for HR tenor, Silverstein for HR tenor, JodyJazz Power Ring HRT1, Boston Sax Shop Superlative ligature for HR tenor, Yanagisawa Sixs & Yany ligatures for HR tenor, Ishimori ligatures for HR tenor.
* the Vandoren M|O hard rubber tenor ligature is not a great fit for the Burnin’ baritone mouthpiece due to its fitted saddle.
Scott D. –
Jay Metcalf and JodyJazz do it again!! Pleasantly surprised by the tone, power and ease of playability of this piece, which, when I first looked it over, appeared to be a copy inside and out of the JodyJazz HR☆ I had been using which is NOT a bad thing at all, but I didn’t want two of the same thing. It is its own mouthpiece, nearly the same power and tone of a metal piece with the comfort of hard rubber with an attractive matte finish and very comfortable feeling. A winner and a keeper!!!
Sam F. –
Burnin’ blends the best of Jody Jazz HR* and SuperJet. Easy & even blowing from low Bb all the way to altissimo.
David B. –
I’m giving this superb mouthpiece 5 Stars. I play mostly tenor and alto, but in the last few years have spent plenty of practice time with the soprano. I’ve been playing a Kessler HR 5 mouthpiece, tip opening 0.062″, and was quite happy with it for jazz/pop/blues, paired with Legere Signature or American Cut 2.25 strength reeds. When I received the Burnin’ 6*, tip opening 0.065″, I first warmed up with the Kessler piece for about 15 minutes, and then switched to the Burnin’. Here are my observations: 1. I was immediately shocked by how much more open, free-blowing and just easier to play it was in comparison. Even though the tip openings were practically identical, the Burnin’ blew more like an alto! 2. Regarding response and intonation, every note sounded instantly and effortlessly, and, also in comparison, there was way less need for embouchure and voicing adjustment to stay in tune and have good tone all up and down the full range. 3. The lowest notes all popped right out at full tone, and it was easy to whisper the subtone confidently all the way down to Bb. 4. I don’t do altissimo on soprano, but the keyed high F# and G sounded with greater reliability and consistency than I was used to. 5. The sound quality is also really nice for me. It’s punchy and bright enough at full volume, but warm (the opposite of shrill) overall. 6. Lastly, and for me most notably, this new mouthpiece provided me with a considerably expanded dynamic range, especially for pianissimo. With the Kessler, I could only get quiet to a certain point before all sound stopped; it was impossible to taper off all the way. With the Burnin’, I can reduce the air stream to almost nothing and still maintain a barely perceptible audible note. ***** Oh, I like it a LOT.
James B. –
A great mouthpiece in every aspect full sound through out the range of the horn Easy altissimo full bottom end and can soar with power when pushed The best Soprano mouthpiece produced in years
Waltz –
I started playing soprano saxophone about 10 months ago. I have a Yamaha 475II. It came with a 4C mouthpiece and I later switched to the 5C and found it somewhat better. Not a big difference in sound. I just received the BetterSax Soprano Burnin 5* mouthpiece. I’m blown away by the difference in the sound. Until now I had no idea what a difference a mouthpiece could make. After my first practice session I also realized how much easier it was to play, and articulate. I think just the excellent sound made me play better. I’m really excited about this new mouthpiece. Way to go Jay Metcalf and Jody Jazz.
Mark B. –
I’ve recently started using the BetterSax Burnin’ Soprano Saxophone mouthpiece, and I’m thoroughly impressed with its exceptional performance. From the moment I started playing, I noticed an immediate improvement in tone clarity, projection, and ease of play.
The Burnin’ mouthpiece offers a beautifully balanced tonal quality—rich and warm in the lower register while bright and vibrant in the upper ranges. It’s incredibly responsive, allowing for effortless articulation and dynamic control. Whether playing softly or pushing the sound, this mouthpiece handles everything with precision and consistency.
One of the most impressive aspects is how easy it is to achieve excellent intonation across the instrument’s entire range. The Burnin’ mouthpiece helps create a full, rich sound that’s versatile enough for jazz, pop, or classical contexts, enhancing my overall playing experience significantly.
The build quality and finish are top-notch, offering comfort during extended playing sessions. Additionally, the sleek and professional look complements the quality of craftsmanship (Jody Jazz) that clearly went into its design.
Overall, the BetterSax Burnin’ Soprano Saxophone mouthpiece has greatly improved my playing experience. I highly recommend it to both intermediate and professional saxophonists looking to upgrade their sound and performance capabilities.
Will –
I went into this purchase with high expectations, since I’ve been playing on the alto & tenor versions of the Burnin mouthpiece for a couple years. This one didn’t disappoint. I’ve already listed my old mouthpiece for sale. Full sound with a nice amount a brilliance on the top end…EASY to play. I love these mouthpieces.
TN –
This is my new favorite mouthpiece for soprano! It makes the intonation so much easier to control and has a great sound!